An album that walks a delicate balance between experimentation and dance pop, with the occasional bout high energy juke and electro influences.

"A lot of these sounds came from live take experiments using semi modular/modular equipment like Mother 32 and Dfam and Moog Sirin. Jessy says ‘We got all of the machines talking to one another and would run patterns through. A lot of the little burps and quacks and squiggles heard on songs like Anyone Around, Like 'Fire', 'Face', and 'Badly' are from those experiments. That’s when I’m having the most fun, making music and improvising through takes of the song and editing together all the best gurgle sounds afterwards’."

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