The album’s 5 tracks skirt across genres featuring loud lo-fi instrumentation and found footage collaged together to form something reminiscent of Yves Tumor and Palm thrown through a moody blender in London.
Chynna’s posthumously released ‘drug opera’ is heavy as expected riding speaker buckling instrumentals by Lil Peep producer Nedarb and Baton Rouge’s Suicideyear. Landing over a year since Chynna tragically died at 25, the album is a starkly gothic testament to her brooding, complex sound.
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